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Tue · Dec 21, 2027 · Advent

Saint Peter Canisius, Priest and Doctor

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First Reading · Song of Songs 2:8-14

8The voice of my beloved, behold he cometh leaping upon the mountains, skipping over the hills.9My beloved is like a roe, or a young hart. Behold he standeth behind our wall, looking through the windows, looking through the lattices.10Behold my beloved speaketh to me: Arise, make haste, my love, my dove, my beautiful one, and come.11For winter is now past, the rain is over and gone.12The flowers have appeared in our land, the time of pruning is come: the voice of the turtle is heard in our land:13The fig tree hath put forth her green figs: the vines in flower yield their sweet smell. Arise, my love, my beautiful one, and come:14My dove in the clefts of the rock, in the hollow places of the wall, shew me thy face, let thy voice sound in my ears: for thy voice is sweet, and thy face comely.

commentary

Spring here is not what most readers expect, and the difference rests on one disputed word. Where the Douay has the time of pruning is come (v. 12), the Protestant version reads "the singing of birds"; Haydock judges the first the better rendering, and notes that the Septuagint and Symmachus support it. The two produce quite different seasons. One is a spring to be listened to; the other is a spring in which the knife comes out, the vine cut back precisely because it has begun to grow. The passage is full of speed and thresholds. The beloved comes leaping upon the mountains, and Calmet reports the Hebrew as conveying the utmost speed of a stag returning at evening — an animal Xenophon calls swifter than the hounds, and which Theodoret says destroys serpents, as Christ destroyed the power of the devil. Yet having crossed the hills at that pace he stops: he standeth behind our wall, looking through the windows, looking through the lattices, and sings from outside, which he goes on doing to the end of the section.

The commentators take the wall as the point of the whole passage. Under the old law, Calmet says, Christ was seen only in figure; in the new he manifested himself — and even now he is concealed in the sacred mysteries, while our own sins hold him at a distance. Ambrose and Bernard press further: it is his humanity that keeps the glory of his divinity out of sight, and that glory alone can give full contentment. Menochius allows the exception, a glimpse shown at the Transfiguration and in the miracles. Origen reads the vanished winter as the rigour and darkness of the old law giving place to light and love, and Menochius notes that Israel and the world were redeemed in spring, in the same season that saw the legal ceremonies abolished. But Calmet supplies the sober correction, and it is the reason pruning matters: once persecution had ceased, pruning became more necessary, not less. A church out of danger needs cutting back more than one under threat.

The turtle-dove is read two ways in the same note — as the preaching of the gospel, on Cyril's reading, or, the note prefers, as the sighs of a soul still in exile. Both are true of a season that has genuinely turned without having arrived. The temptation on one side is to hear only birdsong: to treat the end of hardship as the end of the work, and mistake a mild season for a finished one. On the other is the demand for full sight now, as if a beloved seen through a lattice were no beloved at all. What the passage asks is that the one being looked at answer the looking. Calmet observes that wild pigeons shelter in rock clefts, citing both Varro and Homer's line about the bird darting into the hollow stone; Gregory and Bernard take those clefts for the wounds of the Saviour, and Menochius takes the hollow places of the wall for the Scriptures that defend the Church. The dove in the rock is hidden and safe, and is being asked to come out — shew me thy face, let thy voice sound in my ears — by the one who is himself standing behind a wall.

· sources ·

The complete public-domain commentary this reading's note draws from, unabridged. Every claim in the note traces to a passage here.

First Reading Song of Songs 2:8-14

Haydock Catholic Bible Commentary · Public Domain
2:8

The. Feeling the protection of Christ, the Church preacheth boldly the truth against pagans and heretics. (Worthington) --- She knows the voice of the shepherd, (John viii. 47., and x. 2.) and keeps at a distance the wolves in sheep's clothing, or pretended reformers, who would scatter the flock. --- Hills. She sees him returning in the evening with the utmost speed of a stag, as the Hebrew implies, chap. ii. 9., and viii. 14.

2:9

Hart, (Proverbs v. 18.) which is swifter that the dogs. (Xenophon, Cuneg.) --- This animal is said to destroy serpents, as Christ did the power of the devil. (Theodoret) --- Wall. Under the old law, Christ was only seen in figure. He manifested himself in the new. Yet our sins separate him from us, Isaias lix. 2. He is concealed in the sacred mysteries, (Calmet) and his humanity keeps from our sight the glory of his divinity, which alone can impart full content. (St. Ambrose; St. Bernard) --- He shewed a glimpse of it at his transfiguration, and by his miracles. (Menochius)

2:10

Arise. He sings under the window, to ver. 16. --- My dove, is taken from the Septuagint. (Calmet) --- Christ invites his spouse to approach, though he shews not himself as yet; and orders his pastors to root out heresies, ver. 25. (Worthington) --- She is ever faithful, and rejoices in him, 2 Corinthians xi. 2., Matthew ix. 15., and Ephesians v. 26. (Calmet)

2:11

Winter. The rigour and darkness of the old law give place to that of light and love. (Origen) --- After persecution had ceased, pruning became more necessary. (Calmet) --- The Israelites and the world were redeemed in spring, and the ceremonies of the law were abolished at the same season. (Menochius)

2:12

Pruning. Protestants, "singing of birds." (Haydock) --- But the former version is better. (Septuagint, Symmachus, &c.) --- Turtle. Which returns in spring, Isaias viii. 9. (Calmet) --- It denotes the preaching of the gospel, (St. Cyril, ador. 15.) or rather the sighs of a holy soul in exile.

2:14

Rock. Wild pigeons retire thither. (Varro, iii. 7.) Greek: Koilen eiseptato petren. (Il. 20. Ser. xlviii. 28.) (Calmet) --- Holy souls seek protection in the wounds of their Saviour. (St. Gregory; St. Bernard, ser. lxi.) --- Wall. In the holy Scriptures, which defend the Church. She is brought to light for the edification of all. (Menochius)