✠ daily readings

jump to a date

readings are available from 2025-01-01 through 2026-12-31.

search

search by feast, season, or scripture reference.

type to search…

←
Wed · Nov 25, 2026 · Ordinary Time

Saint Catherine of Alexandria, Virgin and Martyr

→
USCCB ↗

First Reading · Revelation 15:1-4

1And I saw another sign in heaven, great and wonderful: seven angels having the seven last plagues. For in them is filled up the wrath of God.2And I saw as it were a sea of glass mingled with fire: and them that had overcome the beast and his image and the number of his name, standing on the sea of glass, having the harps of God:3And singing the canticle of Moses, the servant of God, and the canticle of the Lamb, saying: Great and wonderful are thy works, O Lord God Almighty. Just and true are thy ways, O King of ages.4Who shall not fear thee, O Lord, and magnify thy name? For thou only art holy. For all nations shall come and shall adore in thy sight, because thy judgments are manifest.

commentary

The victors are not swimming; they are standing on the sea of glass (v. 2), and the sea is shot through with fire. Even the words they sing are unsteady in transmission: where the Douay has O King of ages (v. 3), Witham records that the common Greek now reads O king of saints. Two things in this short vision therefore refuse to sit still — the surface underfoot, and the title given to the one being praised. What does hold firm is the pairing of songs. They sing the canticle of Moses and the canticle of the Lamb as one act, and Witham traces the first to the moment after the Red Sea, Cantemus Domino, "Let us sing to the Lord."

The seven plagues divide the commentators sharply, and the division is worth watching. Witham reports that many take the plagues and the vials poured out in the next chapter mostly in a literal sense, as chastisements falling on the wicked shortly before the end; others refer them to the calamities of heathen Rome. His verdict is not a third reading but a caution: the applications are so different that they serve chiefly to convince us how uncertain they are. He prefers to say that John repeats the same things in a different manner, sometimes by anticipation — which is why the saints appear here already rejoicing, in view of a happiness not yet arrived. Pastorini takes the opposite path and dates the sequence: the plagues are called the last because in them the wrath of God is completed, inflicted during the last period of the world, the period of Christianity, with the first scourge falling shortly after the Christian era begins and the seventh ending the world. The sea divides them the same way. For Witham it is what the saints have come through, the storms and dangers happily passed, with Moses a figure of Christ and Israel of the Christians; Calmet reads it likewise as the sea Moses crossed out of Egypt, so like the saints' own deliverance that its memory supplies them their song. Pastorini instead makes it the firmament, the floor of heaven, mingled with fire in allusion to the persecutions they sustained, with the beast standing for idolatry or heresy. The text lets both stand, because the same water that was passage is now pavement.

The appetite this passage rebukes is the one Witham diagnosed — the impulse to convert a vision into a schedule, which produces readings so incompatible that their variety is the argument against them. The modern forms are familiar enough: the newspaper decoded into vials, or the whole apocalypse filed away as a historical grievance against Rome. What the singers themselves do is different. They make no claim to know the sequence; they say just and true are thy ways, and the reason all nations come to adore is not that the timetable was published but because thy judgments are manifest (v. 4). The picture to keep is the one the text actually gives: harps in hand, feet on glass that still has fire running through it, singing Moses' song about a crossing already behind them.

· sources ·

The complete public-domain commentary this reading's note draws from, unabridged. Every claim in the note traces to a passage here.

First Reading Revelation 15:1-4

Haydock Catholic Bible Commentary · Public Domain
15:1

I saw....seven Angels, having the seven last plagues. Many by these understand chastisements that will fall upon the wicked a little before the end of the world, and so take these plagues and vials that are poured out, in the next chapter, mostly in a literal sense. Others apply them to different calamities that happened to heathen Rome; but the applications are so different, that they serve to convince us how uncertain they are. In the mean time St. John seems to repeat the same things in a different manner, and some times by way of anticipation, as here the saints are introduced rejoicing, in view of that happiness in heaven which is prepared for them. (Witham) --- Here is a new vision, great and wonderful, seven Angels holding the figurative symbols of seven plagues. They are called the last, because in them is completed the wrath of God, being inflicted on mankind in the last period of the world, the period of Christianity. The first of these scourges takes place shortly after the commencement of the Christian era, and the seventh puts an end to the world. (Pastorini)

15:2

I saw....a sea of glass, mingled with fire: by which are signified the storms and dangers which they had happily passed: now they are said to be singing the canticle of Moses after he had passed the Red Sea, Cantemus Domino, "Let us sing to the Lord," &c. As Moses was a figure of Christ, and the Israelites of the Christians, so it is now called the canticle of the Lamb. (Witham) --- By the sea of glass is meant the firmament that makes the floor of heaven, which is here said to be mingled with fire, in allusion to the troubles and persecutions which the faithful, who are standing on this sea, have sustained. The beast that is here mentioned is an allusion to idolatry or heresy (Pastorini)

15:3

And singing. This sea of glass and fire may also represent the sea which Moses passed in leaving Egypt; and the memory of this famous event, in every respect so similar to the deliverance of the saints from the persecutions to which they had been exposed during their lives, affords them the opportunity of singing the canticle of Moses, at the conclusion of which, they join in the praises of the Almighty for their own particular deliverance. (Calmet) --- O King of ages. In the common Greek is now read, O king of saints. (Witham)