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Lectionary 629 · Proper of Saints

St. Bartholomew, Apostle

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First Reading · Revelation 21:9b-14

9And there came one of the seven angels, who had the vials full of the seven last plagues, and spoke with me, saying: Come and I will shew thee the bride, the wife of the Lamb.10And he took me up in spirit to a great and high mountain: and he shewed me the holy city Jerusalem, coming down out of heaven from God,11Having the glory of God, and the light thereof was like to a precious stone, as to the jasper stone even as crystal.12And it had a wall great and high, having twelve gates, and in the gates twelve angels, and names written thereon, which are the names of the twelve tribes of the children of Israel.13On the east, three gates: and on the north, three gates: and on the south, three gates: and on the west, three gates.14And the wall of the city had twelve foundations: And in them, the twelve names of the twelve apostles of the Lamb,

commentary

The guide to this vision is one of the seven angels who had the vials full of the seven last plagues (v. 9), and the agent of the last judgments now offers to shew thee the bride, the wife of the Lamb. What he shows is a city rather than a woman, coming down out of heaven from God (v. 10), and its architecture carries two sets of names. The twelve tribes of Israel are written on the gates (v. 12), and the twelve apostles of the Lamb on the foundations (v. 14), so that the people of the old covenant mark the ways in and the apostles bear the weight of the wall. Witham reads the bride without qualification as "all the Church triumphant in heaven," the whole company of the saved rather than any part of it.

A Protestant Perspective

Jamieson, Fausset and Brown observe that the same angel who had shown John Babylon the harlot now shows him the Bride, and that the wording of v. 10 echoes the earlier vision so as to heighten the contrast; the harlot sat on many waters and divided her affections, while the Bride gives hers undivided to the Lamb. Her light in v. 11 is in the Greek a "light-giver," a word properly used of the heavenly luminaries. The wall great and high sets forth the security of the Church and the exclusion of the ungodly, and the twelve angels at the gates are a further emblem of security, while gates never shut imply liberty and peace. On the foundations JFB argue that Christ himself is the true foundation, and that the twelve are foundations "only in regard to their apostolic testimony concerning Him," so that Peter is not the only apostolic rock.

Matthew Henry begins with the mountain of v. 10. Men usually have the most distinct view of a city from high ground, and "those who would have clear views of heaven must get as near heaven as they can," into the mount of meditation and faith. The bride's brightness he gives in a Latin tag, uxor splendit radiis mariti, the wife shining with the rays of her husband. In the three gates on each of the four sides he reads an entrance as free from one quarter of the world as from another, since in Christ there is neither Jew nor Greek; and he sees the apostles' names on the foundations as their gospel doctrines, on which the church is built with Christ as the chief corner-stone.

· sources ·

The complete public-domain commentary this reading's note draws from, unabridged. Every claim in the note traces to a passage here.

First Reading Revelation 21:9b-14

Haydock Catholic Bible Commentary · Public Domain
21:9

I will shew thee the bride, the wife of the Lamb: all the Church triumphant in heaven. (Witham)